Wednesday 31 October 2012

Two dimensional fun in Mos Eisley

Have had cause to watch Star Wars a couple of times recently, and what has really stuck out has been the utterly unecessary tinkering George Lucas did for the updates. The TV version on ITV a few days ago was presumably the 2003 rejig, the Gold Edition VHS I have is from about 1997.

In both of them, the new CGI and composite inserts are truly horrible to behold in the Mos Eisley sequence.

Mos Eisley is a desert town, where many would shelter out of the daytime sun by siesta-ing the day away in those little dome roofed buildings pimpling the sandy surface of TAttooine. But no, George decided it had to be a bustling, busy, diverse metropolis; a hive of activity. To achieve this, he decided to comp in losts of people and ...er...things, walking directly sideways across the shot, horrendously out of scale and blocking out what we really want to see.

For example, Lucas and Co reckons the scene where we first see "The Fore" being used, on the Stormtroopers, is best served by being totally obscured at first by walking giants, passing speeders, and leather beast of burden lizards.

When flat as pancake people aren't walking past getting in the bloody way, we are treated to hideous slapstick robot and creature vignettes - ooh look, the creature fell of the dew back, ooh look at the little robot get hit - setting us up for Jar Jar Binks. Ugh, why did they bother?

Let us have the original vision George! 

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